Blur - Parklife (1994)
Tracklist front / back album covers
Blur - Parklife
play / listen download rar
1. "Girls & Boys" 4:50
2. "Tracy Jacks" 4:20
3. "End of a Century" 2:46
4. "Parklife" (featuring Phil Daniels) 3:05
5. "Bank Holiday" 1:42
6. "Badhead" 3:25
7. "The Debt Collector" (instrumental) 2:10
8. "Far Out" 1:41
9. "To the End" 4:05
10. "London Loves" 4:15
11. "Trouble in the Message Centre" 4:09
12. "Clover Over Dover" 3:22
13. "Magic America" 3:38
14. "Jubilee" 2:47
15. "This Is a Low" 5:07
16. "Lot 105" 1:17
Total length: 52:39
Japanese edition bonus track
17. "Girls & Boys" (Pet Shop Boys 12″ remix) 7:16
Blur Band Members / Musicians
Damon Albarn – lead and backing vocals, keyboards, Hammond organ, Moog synthesiser, melodica, vibraphone, recorder, programming
Graham Coxon – guitars, backing vocals, clarinet, saxophone, percussion
Alex James – bass guitar, vocals on "Far Out"
Dave Rowntree – drums, percussion, programming
Stephen Street – synthesizer, sound effects, programming
Lætitia Sadier – vocals on "To the End"
Phil Daniels – narration on "Parklife"
Stephen Hague – accordion
String quartet
Chris Tombling
Audrey Riley
Leo Payne MBE
Chris Pitsillides
Duke strings
Louisa Fuller – violin
Rick Koster – violin
Mark Pharoah – violin
John Metcalfe – string arrangement, viola
Ivan McCready – cello
Kick horns
Richard Edwards – trombone
Roddy Lorimer – flugelhorn, trombone
Tim Sanders – tenor sax, soprano sax
Simon Clarke – baritone sax, alto sax, flute[44]
Parklife is the 3rd studio album by the English rock band Blur, released on 25 April 1994 on Food Records. After disappointing sales for their previous album Modern Life Is Rubbish (1993), Parklife returned Blur to prominence in the UK, helped by its four hit singles: "Girls & Boys", "End of a Century", "Parklife" and "To the End".
Certified four times platinum in the United Kingdom, in the year following its release the album came to define the emerging Britpop scene, along with the album Definitely Maybe by future rivals Oasis. Britpop in turn would form the backbone of the broader Cool Britannia movement. Parklife therefore has attained a cultural significance above and beyond its considerable sales and critical acclaim, cementing its status as a landmark in British rock music. It has sold over five million copies worldwide. In 2015, Spin included the album in their list of "The 300 Best Albums of 1985–2014".
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