Aretha Franklin - Unforgettable: A Tribute to Dinah Washington (1964)
Tracklist front / back album covers
Side One
"Unforgettable" (Irving Gordon) - 3:39
"Cold, Cold Heart" (Hank Williams) - 4:35
"What a Diff'rence a Day Made" (Stanley Adams, María Méndez Grever) - 3:30
"Drinking Again" (Johnny Mercer, Doris Tauber) - 3:28
"Nobody Knows the Way I Feel This Morning" (Tom Delaney, Pearl Delaney) - 5:10
Side Two
"Evil Gal Blues" (Lionel Hampton, Leonard Feather) - 2:40
"Don't Say You're Sorry Again" (Lee Pearl, Art Berman, Eugene West) - 2:45
"This Bitter Earth" (Clyde Otis) - 4:33
"If I Should Lose You" (Ralph Rainger, Leo Robin)- 3:36
"Soulville" (Titus Turner, Morris Levy, Henry Glover, Dinah Washington) - 2:20
Bonus tracks on later re-issues
Reissue by Legacy's Rhythm & Soul Series in 1995 included "Lee Cross". This song was recorded at the same time as the other tunes and is the only song not released on the original album. It was first released several years later on Take It Like You Give It and became one of Franklin's biggest hits on Columbia.
"Lee Cross" (Ted White) - 3:19
Aretha Franklin Band Members / Musicians
Aretha Franklin – vocals, piano
Ernie Hayes – piano, organ
Paul Griffin – organ
Teddy Charles – vibraphone
George Duvivier – bass guitar
Gary Chester – drums
Ernie Royal – trumpet
Buddy Lucas - tenor saxophone, harmonica
Bob Asher – trombone
Strings arranged and conducted by Robert Mersey
Original recordings produced by Robert Mersey
Legacy's Rhythm & Soul Series Director: Adam Block
Reissue Producer: John Snyder
Remixed and digitally mastered by Vic Anesini, Sony Music Studios, New York
Art Direction: Tony Sellari
Design: C.M.O.N.
Original Jacket Cover: John Berg
Interior Photos: Sony Music Photo Library
Packaging Manager: Robert Constanzo
Unforgettable: A Tribute to Dinah Washington is the fifth studio album by American singer Aretha Franklin. Released on February 18, 1964, by Columbia Records, the album is a tribute dedicated to the recently deceased singer Dinah Washington. The sessions were recorded in New York. A few tunes were cut with strings in order to bring out the essential ballad character of the songs (with the help of Bob Mersey's arranging); most of the tracks, though, were made with the assistance of a small and sympathetic accompanying group for which Mersey supplied minimal written guidance.
